| A CONTEMPORARY TRAGEDY |
| The title of the exhibition dealing with the
circumstances that surround the disaster of a mass murder. Museum
of Modern Art (Melbourne) June - July 1993
CATALOGUE with writings by
Professor Duncan Chappell, Jenny Zimmer and Anna Clabburn (photo credits: John Brash)
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Installation detail
Museum of Modern Art, Australia
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In the Prologue
to the exhibition Kelly has written "Events of human violence raise questions of who
we are in relation to one another... Social systems require trust and faith in
others..."
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Notations
(detail).
One work comprising 39 drawings (each 38 x 56 cm)
Medium: charcoal and pastel on paper
Collection: Private Collection, Australia
Detail in studio |
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"Kelly joins a number of other artists who've
portrayed the victims of violence through imagery - Goya (Disasters of War), Picasso
(Guernica), Kollwitz (The Uprising scenes) and Golub (Mercenaries series). These artists
show us that art can play an integral role in civilizing and humanizing our universal
society."
Robert Godfrey, "The Xpress", Asheville, North
Carolina, USA
"This project aligns him somewhat with
philosophers like Iris Murdoch and Alisdair MacIntyre; echoing the former's attention to
moral details and the latter's linking of narrative histories within the tradition
of moral theory..."
Jenny Zimmer (from the Catalogue)
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"X-Ray"
113 x 76 cm |
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Car Panels
screenprint, pastel and charcoal on arches paper
6 images, each 76 x 113 cm
Collection:
McClelland Gallery, Langwarrin (Melbourne), Australia |
"To see the work first hand...is to be
moved in a way which strikes at the heart of our personal and community
consciousness."
To see the work first hand...is to experience an educative
process which brings forward the Artist as a most powerful communicator.
To see the work at first hand is to appreciate the
authority of its author to be an outrider of our personal conscience."
John Sullivan, Opening Speech to commemorate the
acquisition of the work "Car Panels" and the exhibition of "Prints from the
Peace Project", McClelland Gallery, Australia, 22 May, 1994
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